It was just okay.

very entertaining

Very heartwarming story I enjoyed it very happy with the ending the young girl will join him on Mars as did his father.I give it 4stars

It had well timed comedy and heart but it lacked finesse. The pacing was off in Act 1 and but unfortunately remained the case into Acts 2 and 3. A lot of the relationships seemed too forced as do some of the moments that are shared between them. I believe you get more meaning out of your romantic leads if you leave room for the audience to draw their own imaginations. Example: hold off on the sleeping together it didn't seem organic felt like a scene/beat you used because you felt it HAD to be there and not because it NEEDED to be there. There are ways to represent the strengthening of a young romantic relationship without that cop out story device. What I'm saying is I've seen it before, yawn/meh--- what else you got!? The twist at the end; the reveal of the father actually being the brother isn't as unpredictable as I think you feel it is in fact its a major reason Act 3 feels so rushed and stunted. Similarly the reveal that Shepherd is the father was way too telegraphed prior. In fact him being Sara Elliott's secret lover creates character likability/respectability depreciation of both Sara and Shepherd which I think is the opposite effect that you wanted to have on the story especially so close to the end. You can get the same depth of feeling and longing if/grief if not more so if Shepherd were her father/Gardner's grandfather OR if that's not fluid enough have Sara be his only niece/family and Gardner his last remaining family (as he had no family of his own left). Also worth noting, Kendra and Tulsa's arc also seemed forced together seemingly created out of a host of plot/female clichés leaving both characters to feel under written/under utilized and like caricatures of would-be strong multi-dimensional female characters and for that matter so too is the character of Sara Elliott.