From Blumhouse and Platinum Dunes, director Christopher Landon returns to the thriller genre with the playful, keep-you-guessing intensity he perfected in the Happy Death Day films with this of-the-moment whodunnit where everyone in the vicinity is a suspect… or victim.
When widowed mother Violet arrives at an upscale restaurant, she’s relieved that her date Henry is more charming than expected. But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone. She is instructed to tell nobody and follow instructions, or the hooded figure she sees on her home security cameras will kill Violet’s young son and babysitting sister. Her unseen tormentor’s final directive? Kill Henry.
From Blumhouse and Platinum Dunes, director Christopher Landon returns to the thriller genre with the playful, keep-you-guessing intensity he perfected in the Happy Death Day films with this of-the-moment whodunnit where everyone in the vicinity is a suspect… or victim.
When widowed mother Violet arrives at an upscale restaurant, she’s relieved that her date Henry is more charming than expected. But their chemistry begins to curdle as Violet begins being irritated and then terrorized by a series of anonymous drops to her phone. She is instructed to tell nobody and follow instructions, or the hooded figure she sees on her home security cameras will kill Violet’s young son and babysitting sister. Her unseen tormentor’s final directive? Kill Henry.
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